Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.  Related Paintings of Paolo Veronese :. | Detail from The Marriage at Cana | Venus and Mercury Present Eros and Anteros to Jupiter | feast in the house of levi | The finding of Moses | the vision of st.helena |
Related Artists:
Abraham Storck
Abraham Storck (or Sturckenburch) (bapt. April 17, 1644 - buried April 8, 1708), was a Dutch landscape and maritime painter of the Baroque era. Storck was born and died in Amsterdam, and came from a family of painters of the same name. He had a painter's studio in Amsterdam producing naval and harbor scenes as well as landscape paintings. He was influenced by the two Willem van de Veldes (the elder and the younger) and by Jan Abrahamsz Beerstraaten.
Thomas Blanchet
Thomas Blanchet (1614, possibly in Paris - 21 June 1689, Lyon) was a French painter, draughtsman, architect, sculptor and printmaker. During his training in Paris Blanchet met Jacques Sarazin, and on his advice moved from studying sculpture to painting. During this time he familiarised himself with the Baroque and the School of Fontainebleau's Mannerism, new imports into Paris at this time. Among his probably co-students was Simon Vouet. He stayed in Rome from c.1645 to 1653 and worked with artists in Nicolas Poussin's circle, as well as visiting the studios of Andrea Sacchi and Pietro da Cortona. He was highly praised by Gianlorenzo Bernini, who he also visited. Blanchet produced paintings for Niccolo Guido di Bagno (1584 -1663), made engravings of ancient tombs and views or prospettive and a mausoleum for Rene de Voyer d'Argenson, French ambassador to Venice in San Giobbe, Venice (1654).
Pavel Filonov
1883-1941 Pavel Filonov Locations Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.